Oct
27
七天
张瑶
星期一是红色的
怎么说呢
对于我
一切都是新鲜的
玫瑰是为遮掩羞涩而生的
这句话到底是谁说的
想想也对
要有所准备
尽管这个季节的花卖的很贵
同事不在
也无所谓
可以闻着烫人的香味自我沉醉
星期二是橙色的
怎么说呢
你的爱似乎变的远远的
距离是为验证美丽而生的
这句话真不像人说的
你买了水果
桔子会上火
偏偏此刻看不见
你躲什么躲
你真的很笨
我感觉渴
是想你用湿湿的眼神望着我
星期三是黄色的
怎么说呢
生日的聚会
让人暖暖的
鲜花拥抱亲吻所有的礼物
都比不上你柔软的祝福
我在恋爱
这好奇怪
那种昏眩的感觉
怎么说来就来
黄色丝带
我的最爱
你送的
所以它闪光你不明白
星期四是绿色的
怎么说呢
邮件里挤的密密麻麻的
我终于知道你将要去远方
突然间感觉是那么慌
会怀念的是你第一次
说爱我说爱我而用的信箱
那些文字
我会珍藏
里面写着我所有的甜蜜和忧伤
星期五是黑色的
怎么说呢
墨镜遮住的眼睛肿肿的
你猜的没错
我刚刚哭过
我想说这一切都是爱情惹的祸
有些幸福
自己最清楚
就像咖啡香甜中掺着微微的苦
你说我很酷
我有些麻木
突然间就变得好长这条回家的路
星期六是蓝色的
怎么说呢
周末总是让人变得懒懒的
妈妈在叫
宠物在笑
未来会发生什么
总是难以预料
我走到窗前
拉开窗帘
星期六的天空宝石一般的蓝
分开时考验
我会习惯
周末夜晚该很灿烂
要精心打扮
哼着曲子
想这些日子
回忆里面就像藏着一个孩子
念你的名字
它反复多次
星期天的街上泛着梦一样的紫
oh~远远的想象是一辈子
短短的爱情说唱词
令我难忘
这七个日子
所以怀念因为初恋仅有一次
下载:
http://music.bokee.com/listen/xianting/zyqt.mp3
试听:
Windows Media Player文件
张瑶
星期一是红色的
怎么说呢
对于我
一切都是新鲜的
玫瑰是为遮掩羞涩而生的
这句话到底是谁说的
想想也对
要有所准备
尽管这个季节的花卖的很贵
同事不在
也无所谓
可以闻着烫人的香味自我沉醉
星期二是橙色的
怎么说呢
你的爱似乎变的远远的
距离是为验证美丽而生的
这句话真不像人说的
你买了水果
桔子会上火
偏偏此刻看不见
你躲什么躲
你真的很笨
我感觉渴
是想你用湿湿的眼神望着我
星期三是黄色的
怎么说呢
生日的聚会
让人暖暖的
鲜花拥抱亲吻所有的礼物
都比不上你柔软的祝福
我在恋爱
这好奇怪
那种昏眩的感觉
怎么说来就来
黄色丝带
我的最爱
你送的
所以它闪光你不明白
星期四是绿色的
怎么说呢
邮件里挤的密密麻麻的
我终于知道你将要去远方
突然间感觉是那么慌
会怀念的是你第一次
说爱我说爱我而用的信箱
那些文字
我会珍藏
里面写着我所有的甜蜜和忧伤
星期五是黑色的
怎么说呢
墨镜遮住的眼睛肿肿的
你猜的没错
我刚刚哭过
我想说这一切都是爱情惹的祸
有些幸福
自己最清楚
就像咖啡香甜中掺着微微的苦
你说我很酷
我有些麻木
突然间就变得好长这条回家的路
星期六是蓝色的
怎么说呢
周末总是让人变得懒懒的
妈妈在叫
宠物在笑
未来会发生什么
总是难以预料
我走到窗前
拉开窗帘
星期六的天空宝石一般的蓝
分开时考验
我会习惯
周末夜晚该很灿烂
要精心打扮
哼着曲子
想这些日子
回忆里面就像藏着一个孩子
念你的名字
它反复多次
星期天的街上泛着梦一样的紫
oh~远远的想象是一辈子
短短的爱情说唱词
令我难忘
这七个日子
所以怀念因为初恋仅有一次
下载:
http://music.bokee.com/listen/xianting/zyqt.mp3
试听:
Windows Media Player文件
Oct
26
[已上载]孙燕姿 - 完美的一天
2005年10月26日 11:14 posted by LiuYu from 本站原创
歌曲列表:
01_完美的一天.wma
02_眼泪成诗.wma
03_隐形人.wma
04_流浪地图.wma
05_第一天.wma
06_Honey Honey.wma
07_心愿.wma
08_另一张脸.wma
09_梦不落.wma
10_明天晴天.wma
歌曲下载:
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/01.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/02.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/03.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/04.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/05.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/06.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/07.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/08.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/09.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/10.wma
关于歌词请使用搜索引擎~
引用
01_完美的一天.wma
02_眼泪成诗.wma
03_隐形人.wma
04_流浪地图.wma
05_第一天.wma
06_Honey Honey.wma
07_心愿.wma
08_另一张脸.wma
09_梦不落.wma
10_明天晴天.wma
歌曲下载:
引用
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/01.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/02.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/03.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/04.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/05.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/06.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/07.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/08.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/09.wma
http://www.2goal.cn/lioyu_com_igo/music/a_perfect_day/10.wma
关于歌词请使用搜索引擎~
Oct
26
M2M - The day you went away
2005年10月26日 09:41 posted by LiuYu from 本站原创
曲名:The day you went away 歌手:M2M
Well I wonder could it be
When I was dreaming about you baby
You were dreaming of me
Call me crazy, call me blind
To still be suffering is stupid after all of this time
Did I lose my love to someone better
And does she love you like I do
I do, you know I really really do
CHORUS
Well hey
So much I need to say
Been lonely since the day
The day you went away
So sad but true
For me there is only you
Been crying since the day
The day you went away
I remember date and time
September twenty second
Sunday twenty five after nine
In the doorway with your case
No longer shouting at each other
There were tears on our faces
Then we were letting go of something special
Something we will never have again
I know, I guess I really really know
The day you went away
The day you went away
Why do we never know what we have got till it is gone
How could I carry on
The day you went away
Cause I have been missing you so much I have to say
Been crying since the day
Download:
http://www.adlodigital.com.cn/upload/yyzl/kwst/TheDayYouWentAaway.mp3
Here to listen:
Windows Media Player文件
Well I wonder could it be
When I was dreaming about you baby
You were dreaming of me
Call me crazy, call me blind
To still be suffering is stupid after all of this time
Did I lose my love to someone better
And does she love you like I do
I do, you know I really really do
CHORUS
Well hey
So much I need to say
Been lonely since the day
The day you went away
So sad but true
For me there is only you
Been crying since the day
The day you went away
I remember date and time
September twenty second
Sunday twenty five after nine
In the doorway with your case
No longer shouting at each other
There were tears on our faces
Then we were letting go of something special
Something we will never have again
I know, I guess I really really know
The day you went away
The day you went away
Why do we never know what we have got till it is gone
How could I carry on
The day you went away
Cause I have been missing you so much I have to say
Been crying since the day
Download:
http://www.adlodigital.com.cn/upload/yyzl/kwst/TheDayYouWentAaway.mp3
Here to listen:
Windows Media Player文件
Oct
3
[简介]Mezzanine - Massive Attack
2005年10月3日 22:33 posted by LiuYu from 本站原创
这专辑是从大哥那里看到的~一开始听就上瘾了~呵呵~
查资料好象是老早老早老早以前的...汗...
# EssentialEssential recordings: Massive Attack
# Audio CD (May 12, 1998)
# Original Release Date: May 12, 1998
# Label: Virgin Records
# Catalog: #45599
# ASIN: B000006045
# Popular in: Redwood City, CA (#17) , Massachusetts Institute of Technology (#5)
下面是这专辑的目录(按顺序):
1. Angel
2. Risingson
3. Teardrop
4. Inertia Creeps
5. Exchange
6. Dissolved Girl
7. Man Next Door
8. Black Milk
9. Mezzanine
10. Group Four
11. (Exchange)
MP3加起来比较大,就没有往网上传~呵呵~谁想要就自己找找或者问我要~嘿嘿~~
一段评论:
Reviewer: Nick Lambert (London UK)
`Mezzanine' is the third and finest album from the most important British group of the 90's, Massive Attack. Their debut, `Blue Lines', virtually redefined UK soul music and invented the much-imitated genre of Trip Hop. If it's follow up, 1994's slick `Protection' was somewhat disappointing, then `Mezzanine' recaptures the spark of creativity and genre fusion that first thrust them onto the world stage.
`Mezzanine' is Trip Hop's logical conclusion, and this new sound is harder and more confrontational than before. It's closest relative in the music world is The Prodigy's `The Fat of the Land', although whereas that album fused heavy punk with dance music, `Mezzanine' fuses Radiohead-esque prog Rock with hip-hop. Opener `Angel' is a brooding, moody track, illuminated only by Horace Andy's androgynous crooning. It is a fine introduction to this schizophrenic, guitar heavy new sound, as Led Zeppelin-esque guitars come crashing down in the climax. `Risingson' was the track Massive Attack chose to release in September 1997 to preview the new album. Built around a looping bass line over which 3d and Daddy G rap, the track is vaguely psychedelic, what with 3d's talk of `clicking shines on foreheads' and samples of The Velvet Underground. Massive Attack are actually more similar to Reed's crew than you may think; both are (or were) fiercely experimental, yet never take fore granted the ability to construct a decent song.
The next track, `Teardrop' is many people's favourite track (myself included). A sublime and simple song built around a stuttering drum beat and harpsichord riff, it also introduces us to Liz Fraser (of the Cocteau Twins) and her soothing, impossibly high vocals. The accompanying video to the track was that of a baby in the womb, and the song does have the effect of rendering the listener to an embryonic state. The addition of sombre piano chords and subtle overdubs creates a stark, mesmerising and beautiful track, proof (if any were needed) that `Unfinished Sympathy' was not a one off. After cradling us with `Teardrop', we are severely awoken by `Inertia Creeps, an Eastern tinged rap track that uses its electric guitars to full effect. It also helps one understand why The Clash were thanked in the sleeve notes.
`Exchange' is probably the albums weakest moment, an instrumental that actually has little to do with Massive Attack, and seems too retro and backward looking in the midst of these thrilling new soundscapes. `Dissolved Girl' is much better, featuring Sara Jay who whispers and purrs where others might full-bloodedly sing. It is also the albums `chestburster' moment, as no sooner have we gotten used to the relatively sparse and soulful composition, a thunderous guitar with its amp on max invades the track, mimicking the previously discrete bass line. The fact that it was featured on `The Matrix' should have been a clue to this; other artists on it were Rage Against The Machine and Marilyn Manson. `Man Next Door' is initially reminiscent of `Exchange' and that track's shortcomings, in that it again is not a Massive Attack song and is similarly retro. But, in the context of the album, it works fine, what with its themes of suburban paranoia, Horace Andy's almost rude pronunciation of `fight' and the fact that it's very melodicism is welcome after the nuclear bomb of sound that was `Dissolved Girl'. `Black Milk' is the album's most danceable track, a hip-hoppy song that utilises Fraser's lolloping vocals and fuses it with a deep grooving bass line and synths to provide the album with the closest thing it has to bombast. `Mezzanine' and `Group Four' are the albums landmark progressive tracks, and should be taken as one epic 14-minute track, as they both share the new found heavily electric sounds that are the album's trademark. With their dark, vicious intensity, they could certainly teach Korn or Slipknot a thing or two about the fusion of rap and electric guitars. Whereas those groups are just axes, coming down on you in one fell swoop, Massive Attack is a shower of acid rain, permeating the melody constantly. Although this makes the album sound depressing, it is not (moody is the word), and Fraser's psychedelic interplay with 3d on `Group Four' is quietly exhilarating. `Group Four' is progressive rock, and I don't mean that in the derogatory manner with which it is usually intended. An eight minute epic, it is a perfect climax for the album. Except, in a magnificent coup, the album does not end there, but reprises `Exchange'. As with the previous albums, Horace Andy reappears for the final track, and he sings delicately and soulfully over the vamped up `Exchange', which has a heavier bass and several elements stripped away. The album ends not on fade out, nor a big epic blow out, but the sound of vinyl scratching. It seems strangely fitting, and I can't help but feel that this is the only version of `Exchange' that is required. `Mezzanine' is true heavy metal, an industrial strength hulk of steel, jamming out conversely fragile and brilliant melodies over its finely tuned sonic barrage.
查资料好象是老早老早老早以前的...汗...
# EssentialEssential recordings: Massive Attack
# Audio CD (May 12, 1998)
# Original Release Date: May 12, 1998
# Label: Virgin Records
# Catalog: #45599
# ASIN: B000006045
# Popular in: Redwood City, CA (#17) , Massachusetts Institute of Technology (#5)
下面是这专辑的目录(按顺序):
1. Angel
2. Risingson
3. Teardrop
4. Inertia Creeps
5. Exchange
6. Dissolved Girl
7. Man Next Door
8. Black Milk
9. Mezzanine
10. Group Four
11. (Exchange)
MP3加起来比较大,就没有往网上传~呵呵~谁想要就自己找找或者问我要~嘿嘿~~
一段评论:
Reviewer: Nick Lambert (London UK)
`Mezzanine' is the third and finest album from the most important British group of the 90's, Massive Attack. Their debut, `Blue Lines', virtually redefined UK soul music and invented the much-imitated genre of Trip Hop. If it's follow up, 1994's slick `Protection' was somewhat disappointing, then `Mezzanine' recaptures the spark of creativity and genre fusion that first thrust them onto the world stage.
`Mezzanine' is Trip Hop's logical conclusion, and this new sound is harder and more confrontational than before. It's closest relative in the music world is The Prodigy's `The Fat of the Land', although whereas that album fused heavy punk with dance music, `Mezzanine' fuses Radiohead-esque prog Rock with hip-hop. Opener `Angel' is a brooding, moody track, illuminated only by Horace Andy's androgynous crooning. It is a fine introduction to this schizophrenic, guitar heavy new sound, as Led Zeppelin-esque guitars come crashing down in the climax. `Risingson' was the track Massive Attack chose to release in September 1997 to preview the new album. Built around a looping bass line over which 3d and Daddy G rap, the track is vaguely psychedelic, what with 3d's talk of `clicking shines on foreheads' and samples of The Velvet Underground. Massive Attack are actually more similar to Reed's crew than you may think; both are (or were) fiercely experimental, yet never take fore granted the ability to construct a decent song.
The next track, `Teardrop' is many people's favourite track (myself included). A sublime and simple song built around a stuttering drum beat and harpsichord riff, it also introduces us to Liz Fraser (of the Cocteau Twins) and her soothing, impossibly high vocals. The accompanying video to the track was that of a baby in the womb, and the song does have the effect of rendering the listener to an embryonic state. The addition of sombre piano chords and subtle overdubs creates a stark, mesmerising and beautiful track, proof (if any were needed) that `Unfinished Sympathy' was not a one off. After cradling us with `Teardrop', we are severely awoken by `Inertia Creeps, an Eastern tinged rap track that uses its electric guitars to full effect. It also helps one understand why The Clash were thanked in the sleeve notes.
`Exchange' is probably the albums weakest moment, an instrumental that actually has little to do with Massive Attack, and seems too retro and backward looking in the midst of these thrilling new soundscapes. `Dissolved Girl' is much better, featuring Sara Jay who whispers and purrs where others might full-bloodedly sing. It is also the albums `chestburster' moment, as no sooner have we gotten used to the relatively sparse and soulful composition, a thunderous guitar with its amp on max invades the track, mimicking the previously discrete bass line. The fact that it was featured on `The Matrix' should have been a clue to this; other artists on it were Rage Against The Machine and Marilyn Manson. `Man Next Door' is initially reminiscent of `Exchange' and that track's shortcomings, in that it again is not a Massive Attack song and is similarly retro. But, in the context of the album, it works fine, what with its themes of suburban paranoia, Horace Andy's almost rude pronunciation of `fight' and the fact that it's very melodicism is welcome after the nuclear bomb of sound that was `Dissolved Girl'. `Black Milk' is the album's most danceable track, a hip-hoppy song that utilises Fraser's lolloping vocals and fuses it with a deep grooving bass line and synths to provide the album with the closest thing it has to bombast. `Mezzanine' and `Group Four' are the albums landmark progressive tracks, and should be taken as one epic 14-minute track, as they both share the new found heavily electric sounds that are the album's trademark. With their dark, vicious intensity, they could certainly teach Korn or Slipknot a thing or two about the fusion of rap and electric guitars. Whereas those groups are just axes, coming down on you in one fell swoop, Massive Attack is a shower of acid rain, permeating the melody constantly. Although this makes the album sound depressing, it is not (moody is the word), and Fraser's psychedelic interplay with 3d on `Group Four' is quietly exhilarating. `Group Four' is progressive rock, and I don't mean that in the derogatory manner with which it is usually intended. An eight minute epic, it is a perfect climax for the album. Except, in a magnificent coup, the album does not end there, but reprises `Exchange'. As with the previous albums, Horace Andy reappears for the final track, and he sings delicately and soulfully over the vamped up `Exchange', which has a heavier bass and several elements stripped away. The album ends not on fade out, nor a big epic blow out, but the sound of vinyl scratching. It seems strangely fitting, and I can't help but feel that this is the only version of `Exchange' that is required. `Mezzanine' is true heavy metal, an industrial strength hulk of steel, jamming out conversely fragile and brilliant melodies over its finely tuned sonic barrage.
Oct
3
再来点好听的音乐~呵呵~ogg格式的~~
2005年10月3日 18:05 posted by LiuYu from 本站原创
一个叫做 Alpha Ball 游戏中的的背景音乐~共2段,不错~哈哈~~
up/1128333580.rar
是.ogg格式的,还是用winamp来播放吧~
放上这个的插件,直接解压到winamp/plugins目录下即可~
up/in_vorbis.rar
关于.ogg格式的:
Ogg Vorbis is a completely open, patent-free, professional audio encoding and streaming technology with all the benefits of Open Source.
呵呵~
用winamp2的可以直接下那个文件用,其他的不知道,到vorbis.com上去找东西吧~嘿嘿~~
http://www.vorbis.com/
up/1128333580.rar
是.ogg格式的,还是用winamp来播放吧~
放上这个的插件,直接解压到winamp/plugins目录下即可~
up/in_vorbis.rar
关于.ogg格式的:
Ogg Vorbis is a completely open, patent-free, professional audio encoding and streaming technology with all the benefits of Open Source.
呵呵~
用winamp2的可以直接下那个文件用,其他的不知道,到vorbis.com上去找东西吧~嘿嘿~~
http://www.vorbis.com/
Oct
2
很早以前的音乐...
2005年10月2日 22:29 posted by LiuYu from 本站原创
N早了,现在听起来还是这么有感觉~呵呵~
记得是以前用DOS下的Vplayer播放的~呵呵~有感觉~爽~格式是MOD的,如果winamp有装这种插件的话可以播放~
以下全部用RAR压缩了~
音乐:
up/1128263211.rar
winamp2用来播放MOD格式文件的插件:
up/IN_MOD.rar
其他3或5不知道能不能用~~
该文件直接解压到winamp/plugins目录下即可~
感觉>>>>Go go go...
the vampire wanna suck your blood...
记得是以前用DOS下的Vplayer播放的~呵呵~有感觉~爽~格式是MOD的,如果winamp有装这种插件的话可以播放~
以下全部用RAR压缩了~
音乐:
up/1128263211.rar
winamp2用来播放MOD格式文件的插件:
up/IN_MOD.rar
其他3或5不知道能不能用~~
该文件直接解压到winamp/plugins目录下即可~
感觉>>>>Go go go...
the vampire wanna suck your blood...







